I’m so grateful to my long-time friend Lesley Cookman for revealing some of the secrets of a bestselling novelist‘s life. Read today’s guest blog to see what you have in common with her, and get a sneak preview of the cover of her next book (which won’t be published for months yet).
Lesley is the author of the Libby Serjeant series of murder mysteries, with the eighteenth recently published – Murder by the barrel. Each new book whizzes to the top of its category on the Amazon bestseller charts, but despite Lesley’s success, the writing life is still not easy. But it is rewarding… Read Lesley’s guest blog here – and do ask questions in the ‘comments’ bit!
…illustrated children’s book. This is a great insight into some of the challenges and solutions for writers itching to get their story told: a piece by Michael Gallant for the BookBaby blog. Read, then get writing!
Author Kate Harrison has done her own survey on people’s reading habits – what they love, loathe, buy and borrow, what they recommend and why. Fascinating and informative for writers, publishers and other readers.
Amongst other questions, Kate asked which three words best summed up what you wanted novels to be like. The top 4 words (number 3 and 4 were very close) were:
4: Funny (39%)
=2: Thrilling and moving (both scored 40%)
And number 1, with 55%: Thought-provoking.
She also surveyed publishers and agents. Here are three of the comments made:
Nicki Thornton, of Mostly Books in Abingdon, said: ‘Readers are always on the lookout for something that really speaks to them. It takes a lot of time to read a book and if it feels like time not well spent at the end of it I think people do feel disappointed. People do seem to be looking for something ‘a little more’ out of their reading rather than something very throwaway and lightweight.’
Agent Maddy Milburn said that debut authors are having orders cut, and she’s seen an increase in the demand for accessible literary books – as did Avon editor Sammia Rafique, who called these books ‘smart fiction’. But Maddy also pointed out that how the book is marketed makes a huge difference: ‘ONE DAY is essentially a love story but was given an iconic cover that appealed to both men and women.’ Sammia also called for more imaginative engagement with readers via social networking, to tap into their enthusiasm and interests.
Agent Carole Blake loathes the ‘chick lit’ label and its connotations of air-headedness – for me, she sums up the debate in the following: ‘Books that deliver a satisfying reading experience, but also leave the reader feeling they have learned something (historical facts, emotional intelligence, anything else) will leave the reader with the feeling that they have not only been entertained but also educated – they are validating their own leisure time and carrying away something more than ‘mere entertainment.’